Much can be said about Rosenblum's painting style, however his own words say it best when he wrote: The vertical forms in my work serve as a vehicle for color and also become a dramatic means of achieving movement and deep space. This becomes possible through great variation in the stripe thickness, and the sudden emergence or disappearance of a particular band of color when it overlaps another. Rosenblum used color to be bold and startling, and juxtapositioned some colors next to each other to create vibration. These diagonal and triangle wedges causes the eye to wonder why; are they based on a system or happen-chance. His work must be compared to Gene Davis from the Washington Color School and Bridget Riley, an English artist that moves the line around and around. Davis almost always stuck to vertical straight stripes with varying widths of color. Likewise, Rosenblum does a variation of Davis creating tilted lines, that sometime become long narrow triangles. They both use ...