Skip to main content

Jim (James Morton) Knight, 1930 - 2008, Montana Western Artist


James Morton Knight (Jan. 31, 1930 - Dec. 11, 2008) - Montana Artist

Jim Knight was a painter of Montana and western scenes, likewise he was a bronze sculptor of wild animals. His paintings were signed by his standard block print letters, "KNIGHT" (see below). Jim was from White Sulphur Springs, a scenic town in central Montana, that provided inspiration for his artwork.

According to his obituary from a local newspaper, Jim was born in Knoxville, TN, but was raised in the Melville-Harlowton (Montana) area. Upon returning from his military service (army) he settled in Billings, where he worked for the California Oil Company. While in Billings he was active with the Yellowstone Art Center, frequently giving art-related lectures.

In the late 1960s, Jim chose to pursue his passion for art full time and moved to White Sulpher Springs. There he painted and captured the local scenery. The painting below of the "Red Cabin 1966" outlines his painting techniques.

"Red Cabin 1966"

Below is the example of Jim Knight's painting signature.

Additional information can be found on Facebook under:
Jim Knight Western Art
Special Thanks goes to the James Knight Family for the photo of Mr. Knight.
____________________________________________________________
©2022. Waller-Yoblonsky Fine Art is a research collaborative, working to track artists that got lost and overlooked due to time, changing styles, race, gender and/or sexual orientation. Our frequent blogs highlight artists and art movements that need renewed attention with improved information for the researcher and art collectors. This blog was created by Mr. Waller and all written materials were obtained by the Fair Use Section 107 of The Copyright Act for educational purposes. Additionally, this research work may be used with appropriate attributions to the author Anthony Waller and must be in compliance with the “fair use” as defined by the U.S. Copyright law.

Comments

Popular posts from this blog

Japanese Wooden Dolls: Kokeshi-Ningyo "こけし-人形"

This article is dedicated to my Japanese (nihongo) Sensei, Atsuko Kuwana, who helped me learn to speak Japanese. Collectors come in all varieties, some plan their collections, others start by chance.  I saw my first kokeshi(こけし) wooden doll in 2005 while participating in a grassroutes exchange program between the U.S. and Japan.  I was staying with a family near Nagoya and the couple’s young daughter had one.  Years later when I was named a Mike Mansfield Fellow from the U.S. government to the Japanese government, and was living in Japan, I would see them frequently at flea markets and souvenir shops next to the natural hot spring resorts in the area known as Tohoku.  Before leaving for Japan, I studied all things Japanese at the George Shultz Foreign Service Institute (FSI), including a professor that covered domestic and family life and some short statements on kokeshi.  After arriving in Japan, the National Personnel Authority ( jinjiin ) was responsible for...

MARCEL (Marcella Anderson) Torpedo Factory Artist

Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens. In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color." Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had ...

Walter von Gunten - Scherenschnitter Artist

In the 1990's R. A. Baumgart, wrote an article for the Journal (Wisconsin Newspaper) entitled:  Scissors Art:  the Lace That Takes a Million Snips.   The subtitle was:  For Sheer Intricacy, It's Hard to Top the Delicate Folk Art of Long Ago Europe.  Baumgart's knowledge was helpful in creating this blog. Scissor cutting art has been practiced in much of Europe for centuries, but the work has now faded.  It reached its peak about 200 years ago.  It was the people's art, and when done by the Germans and Swiss it is called scherenschnitte.  When accomplished by the these two groups, the work tends to be more delicate and more detailed in design.  Scherenschnitte was cut from single sheets of paper and pasted on a contrasting paper background.  Common subjects were fantasies of trees, elves or rural scenes. "Bird in the Bushes" Cut Black and Gold Paper on White Mat Board Framed:  Approx. 20 X 16.5 Inches Signed Lower Left:...