From Bologna to the Vatican: The Legacy of a Prolific Italian Sculptor
Manfrini, an Italian sculptor of considerable renown, left an indelible mark on the world of religious art and beyond. Born in Lugo, Italy, and meticulously trained at the prestigious Accademia di Bologna and the Accademia di Belle Arti di Brera under the tutelage of Francesco Messina, Manfrini's artistic journey was one of dedication and mastery. His talent was such that he eventually succeeded his mentor as chair at the Accademia di Belle Arti di Brera, a position he honorably held until 1984. His affiliations with the Accademia Clementina of Bologna and the Accademia di San Luca in Rome further cemented his standing within the Italian art world, as did his role on the Superior Council of the Ministry of Fine Arts during the Spadolini government.
A Master of Diverse Mediums
Manfrini’s prolific output spanned a remarkable array of mediums and commissions. His artistic versatility was evident in his designs for coins for both San Marino and the Vatican, showcasing his ability to translate his sculptural vision into miniature yet impactful forms. However, it was his extensive work for the Catholic Church, both within Italy and internationally, that truly defined a significant portion of his career. He created numerous sacred objects and liturgical art for several Popes, earning him the affectionate moniker, "sculptor of the Popes." This title reflects his unique opportunity to portray every Pope from Pius XII to John Paul II, a testament to his consistent skill and the trust placed in his artistic hand.
Iconic Creations and Monumental Works
Among his most celebrated creations is the fisherman's ring chosen by Pope Francis at the commencement of his papacy, a poignant symbol that continues to connect Manfrini's legacy with contemporary religious leadership. Beyond these intimate objects, Manfrini's monumental works stand as enduring testaments to his grandeur of vision and execution. These include the awe-inspiring Door of the Glorification of Mary in the Cathedral of Siena, a masterful integration of sculpture and architecture; the poignant monument to the fallen for the city of Busto Arsizio; and the majestic monument of Pope John XXIII, reverently placed in the Sanctuary of the Madonna del Bosco in Imbersago.
A Legacy Reaching Across Continents
Manfrini's influence extended far beyond the borders of Italy. A prime example, below, is the gilt cast bronze medal commissioned in 1999 by Bishop Robert N. Lynch of the Archdiocese of St. Petersburg, Florida. This medal, created to honor those who made outstanding contributions to the St. Petersburg area Catholic Church, beautifully exemplifies Manfrini's ability to imbue his work with both spiritual significance and local relevance. The medal depicts St. Jude the Apostle on its front, revered for spreading the gospel and as the Patron Saint of hopeless causes. The reverse proudly displays the shield of the Diocese of St. Petersburg. These numerous honoree award medals were cast at a foundry in Senesi, ensuring their quality and artistic integrity.
| Front: Gilt Cast Bronze, Diameter: 4 Inches Signed on the edge: E. Manfrini, 1999 |
Manfrini's art, whether in the delicate design of a papal ring or the imposing presence of a monumental door, continues to inspire and resonate, a testament to his profound talent and his lasting contribution to the world of sacred art, career highlights are documented below. He died at 87 in 2004 and is buried in the monumental cemetery of Lugo.
- Pope believed to revive “Noble Simplicity”, Pittsburgh Post Gazette, Tues. Mar. 19th, 2013, pg. 4.
- Vidette-Messenger of Porter Co., Valparaiso, IN, Fri. Aug. 20, 1982, pg.7
- Modern Sculpture, The San Francisco Examiner, San Francisco, CA, Mon. Jan. 13, 1975, pg. 2. Photo by Matt Southard, Entrance of the Mother of Christ into the Joy of Heaven.
- Taylorville Daily Breeze Courier, Taylorville, IL, Wed. June 20, 1962, pg.6

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