Aaron Waller's sculptural assemblages offer a contemporary twist on "Junk Sculpture," a genre popularized by artists like Louise Nevelson and Deborah Butterfield who transformed found materials into art. While Nevelson used salvaged wood for her enigmatic abstractions and Butterfield crafted her early horse sculptures from scrap metal, Waller's approach is distinct. He “traffic’s in unwanted items,” blending finds from thrift stores, flea markets with remnants from his father's mountain retreat. Unlike Nevelson and Butterfield, who often duplicated subjects, Waller introduces a new 21st-century "artspeak" through surrealist assemblage sculptures. He intentionally unsettles the viewer by using visual elements out of context, coupled with stimulating titles. This method aligns with Surrealism's original focus on social attitudes and behavior, infused with modern symbolism. For example, his most recent work below, "Woman Looking Within, Outward,...