Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens.
In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color."
Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had traveled extensively in Europe and North Africa, which influenced her work as in the case below: "Mauve Mykonos Morning." This image must have been captured in her sketch book during one of her trips to Greek Islands on the Aegean Sea.
I want to clarify some points about Marcella Anderson. She used the name "Marcel" on her silkscreens and her signature was in a very distinctive style. Once you saw her signature you would recognize it again and again. She had a website that is no longer in service, yet the Art Center does still keep her in their stable of artists. No one is now promoting her work or actively handling her art estate. All of these elements put art researchers at a conundrum, as there are many famous artists that go by "Marcel" and there are numerous Marcella Andersons. To help clarify this problem when she was alive, each of her serigraphs came with an attached biographical background and exhibit/artist statement. Over the years these statements have been removed or lost from the backs of her artworks. To help art researchers, here is a portion of the biographical and artist statement:
Marcel began working with silkscreen on a full-time basis in 1971. She was drawn to this medium by the range of color intensity she perceived, as well as by a luminosity, which she had been seeking in her painting. Her use of color now, in her silkscreen works, evoke both an intensity and delicacy, a uniqueness achieved through extensive shading, and a well developed very personal sense of color, these compliment her strong, multifaceted idea range which achieve a surreal quality. "My ideas flow and merge together, much as rivers do. One into the other. Often they will emerge as symbolic representations touching the visual, sensual, spiritual, and strongly poetic sides of our lives. With my work, I try to stimulate people, to encourage them to use their imaginations, to give shape to their fantasy, and to create a genuine respect for all creatures who share our habitat".
She draws upon her background in painting in her approach to silkscreen, the one feeding the other. The result, the flat, hard edges, typical of silkscreen, seem melted away through shading of color and texture. "I have always been very concerned with space, as that which defines the subject being equally as important as that which is the space defines. It compliments my own feeling about life, and the need for harmony, I see between people and their environment. I see natural cycles as complete, filled with variation and complexity, which work to transform both the internal and external, natural phenomenon, into a kind of serenity that is visual, which we can perceive."
Marcel's signed editions are hand-pulled, and limited to less than two hundred for small images, and less than one hundred and fifty for larger images. While ideas for her silkscreens are partially developed through the use of water color sketches and drawings, the final phase of printing becomes the crucial work of the success of an image, where colors are applied, one at a time.
In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color."
Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had traveled extensively in Europe and North Africa, which influenced her work as in the case below: "Mauve Mykonos Morning." This image must have been captured in her sketch book during one of her trips to Greek Islands on the Aegean Sea.
"Mauve Mykonos Morning"
Serigraph Edition: 10/136
Signed: Marcel
I want to clarify some points about Marcella Anderson. She used the name "Marcel" on her silkscreens and her signature was in a very distinctive style. Once you saw her signature you would recognize it again and again. She had a website that is no longer in service, yet the Art Center does still keep her in their stable of artists. No one is now promoting her work or actively handling her art estate. All of these elements put art researchers at a conundrum, as there are many famous artists that go by "Marcel" and there are numerous Marcella Andersons. To help clarify this problem when she was alive, each of her serigraphs came with an attached biographical background and exhibit/artist statement. Over the years these statements have been removed or lost from the backs of her artworks. To help art researchers, here is a portion of the biographical and artist statement:
Marcel began working with silkscreen on a full-time basis in 1971. She was drawn to this medium by the range of color intensity she perceived, as well as by a luminosity, which she had been seeking in her painting. Her use of color now, in her silkscreen works, evoke both an intensity and delicacy, a uniqueness achieved through extensive shading, and a well developed very personal sense of color, these compliment her strong, multifaceted idea range which achieve a surreal quality. "My ideas flow and merge together, much as rivers do. One into the other. Often they will emerge as symbolic representations touching the visual, sensual, spiritual, and strongly poetic sides of our lives. With my work, I try to stimulate people, to encourage them to use their imaginations, to give shape to their fantasy, and to create a genuine respect for all creatures who share our habitat".
She draws upon her background in painting in her approach to silkscreen, the one feeding the other. The result, the flat, hard edges, typical of silkscreen, seem melted away through shading of color and texture. "I have always been very concerned with space, as that which defines the subject being equally as important as that which is the space defines. It compliments my own feeling about life, and the need for harmony, I see between people and their environment. I see natural cycles as complete, filled with variation and complexity, which work to transform both the internal and external, natural phenomenon, into a kind of serenity that is visual, which we can perceive."
Marcel's signed editions are hand-pulled, and limited to less than two hundred for small images, and less than one hundred and fifty for larger images. While ideas for her silkscreens are partially developed through the use of water color sketches and drawings, the final phase of printing becomes the crucial work of the success of an image, where colors are applied, one at a time.
Photograph of Marcel. Courtesy of the Torpedo Factory Art Center
Facebook page for the photograph.
Facebook announced her passing on July 31, 2015.
Advertisement in ARTnews Magazine for Marcel's Prints
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©2021. Waller-Yoblonsky Fine Art is a research collaborative, working to track artists that got lost and overlooked due to time, changing styles, race, gender and/or sexual orientation. Our frequent blogs highlight artists and art movements that need renewed attention with improved information for the researcher and art collectors. The photos and blog was created by Mr. Waller and all written materials were obtained by the Fair Use Section 107, of The Copyright Act. #waller-yoblonskyblogspot
Absolutely love this painting!
ReplyDeleteSo good. Can't wait to have you home!!
ReplyDeleteI would love to purchase some of her work from the '80s. We have one of her prints, Coasting the Liquid Night. It includes fish, coral, and seaweed. If you know where I can find her work to purchase please contact me. jdearden22@gmail.com
ReplyDeleteThanks Jean; As you may know, we work to document artists who are no longer with us, and do not have legal or gallery representation. Many owners of Marcel's work drop by this blog to learn about their silkscreens/prints.... I am hoping that they will see your note (above), and we will work to have them get in contact with you, then you can pick the best that comes on the market.
DeleteHello. I have 4 paintings of her in perfect condition. Please email me anna@happyveginc.com
ReplyDeleteI have Marcella's silkscreen of "Up and down and around we go" that I bought in the 80s at her Torpedo Factory studio. Print 24 of 134, framed and matted. Would consider selling at right price.
ReplyDeleteStill have it? And what is the image of?
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DeleteGood morning, I have a 1981 #125/135 Night Comes Quietly - I am in Phila. Dose anyone know where I can get it appraised Possible sale. Ty M. Cheech
ReplyDeleteI have Marcella's "The Whisper of the Now Fallen Leaf - Nov 1973. It is in great condition. Might consider selling.
ReplyDeleteI have several Marcels. I want them digitally archived. How can I do that?
ReplyDelete