Skip to main content

Kevin C. Lawler - NYC Artist

Kevin C. Lawler
Acrylic and Paper on Canvas
Signed Right Lower Corner

Kevin C. Lawler is an emerging New York artist that uses surrealist images in his paintings. He studied at both the Corcoran and Pratt. His BFA is from Pratt.

His website on Tumbler has two titles for this painting, I like "Confrontation at a Funeral." Which is one of the two titles. He has totally prepped the canvas in an abstract form, then attached biblical pages that cover the "purpose of the Bible" and "The History of the Bible."

On top of these pages, he provides an almost graffiti presentation of a skull and skeleton. Additionally you see letters that might translate into words, combined with numbers. This graffiti imagery repeats several faces that might be the confrontation at a funeral.

The texture of the paint comes in thick spots to faded out oils. In this regard, Mr. Lawler demonstrates powerful storytelling with his brush. It is a great painting with impact.

_________________________________________________________________________________

Waller-Yoblonsky Fine Art is a research collaborative, working to track artists that got lost and overlooked due to time, changing styles, race, gender and/or sexual orientation. Our frequent blogs highlight artists and art movements that need renewed attention with improved information for the researcher and art collectors. The photo in this blog was created by Mr. Waller and all written materials are used under the Fair Use Section 107, Copyright Act, unless otherwise noted.     
#waller-yoblonskyblogspot 

Comments

  1. Thank you Mr. Waller, I appreciate this very much. Take care,
    Kevin

    ReplyDelete

Post a Comment

Popular posts from this blog

MARCEL (Marcella Anderson) Torpedo Factory Artist

Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens. In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color." Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had

Japanese Wooden Dolls: Kokeshi-Ningyo "こけし-人形"

This article is dedicated to my Japanese (nihongo) Sensei, Atsuko Kuwana, who helped me learn to speak Japanese. Collectors come in all varieties, some plan their collections, others start by chance.  I saw my first kokeshi(こけし) wooden doll in 2005 while participating in a grassroutes exchange program between the U.S. and Japan.  I was staying with a family near Nagoya and the couple’s young daughter had one.  Years later when I was named a Mike Mansfield Fellow from the U.S. government to the Japanese government, and was living in Japan, I would see them frequently at flea markets and souvenir shops next to the natural hot spring resorts in the area known as Tohoku.  Before leaving for Japan, I studied all things Japanese at the George Shultz Foreign Service Institute (FSI), including a professor that covered domestic and family life and some short statements on kokeshi.  After arriving in Japan, the National Personnel Authority ( jinjiin ) was responsible for my continued studies, b

Leonard Thorpe, Modern British Artist

Thorpe, a totally modern artist, used London and the bucolic country side as his muse.  Clearly the London cityscape was his inspiration.  He painted all the city sights:  St. Paul's Cathedral, the Parliament, the Palace of Westminster, the Beefeaters at the Palace, the Victorian Memorial, Big Ben, the Monument and of course Trafalgar Square.  These London landmarks are painted with affirming gestures in moody blues and graphic grays.  His palette knife application technique, along with his brush work was applied in a quick layer over the oil underpainting.  There is an appearance of buildup-so caked on, that the results look molten.  This methodology created textured impressions right on the canvas.  He combined architectural details with spontaneous happenings.    His color palette frequently includes red double-decker buses, Beefeater guards or flags that add balance to his moody paintings.  In " St. Paul's Cathedral " below, Thorpe presents a rainy evening with