Skip to main content

Edmund Schureman Campbell - Artist & Architect (1884-1950)

Rivanna River Alcove
Watercolor on Paper 
Approx:  14.5 X 19.5 Inches

Edmund Schureman Campbell was born in New Jersey October 28, 1884. He received his B.S. (1906) and M.S. (1907) from the Massachusetts Institute of Technology, and spent the year 1911-1912 studying at l'Ecole des Beaux Arts, Paris. After serving on the faculty of Carnegie Institute of Technology, the Armour Institute of Technology, and as Dean of the Beaux Art Institute of Design in New York, he came to the University of Virginia in 1927 to head the School of Architecture and to be Curator of the Bayly Museum of Fine Arts. He held these positions until his death in 1950. This information has been graciously provided by the University of Virginia. 

Example of Signature:
The Date/Location and Signature: 1938, Virginia, Edmund S. Campbell 

The Provenance:
The watercolor was a wedding present to Sir John and Lady Ruth Wheeler-Bennett. 
They were married at the University of Virginia Chapel - 26 March 1945.
John Wheeler-Bennett was a noted British historian who was an international relations expert.
He served as a lecturer at University of Virginia.

___________________________

Waller-Yoblonsky Fine Art is a research collaborative, working to track artists that got lost and overlooked due to time, changing styles, race, gender and/or sexual orientation. Our frequent blogs highlight artists and art movements that need renewed attention with improved information for the researcher and art collectors.  These photos were created by Mr. Waller and all materials are used under the Fair Use Section 107, Copyright Act, unless otherwise noted.  #waller-yoblonskyblogspot  #edmundcampbell  #edmundschuremancampbell


Comments

Popular posts from this blog

MARCEL (Marcella Anderson) Torpedo Factory Artist

Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens. In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color." Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had

Japanese Wooden Dolls: Kokeshi-Ningyo "こけし-人形"

This article is dedicated to my Japanese (nihongo) Sensei, Atsuko Kuwana, who helped me learn to speak Japanese. Collectors come in all varieties, some plan their collections, others start by chance.  I saw my first kokeshi(こけし) wooden doll in 2005 while participating in a grassroutes exchange program between the U.S. and Japan.  I was staying with a family near Nagoya and the couple’s young daughter had one.  Years later when I was named a Mike Mansfield Fellow from the U.S. government to the Japanese government, and was living in Japan, I would see them frequently at flea markets and souvenir shops next to the natural hot spring resorts in the area known as Tohoku.  Before leaving for Japan, I studied all things Japanese at the George Shultz Foreign Service Institute (FSI), including a professor that covered domestic and family life and some short statements on kokeshi.  After arriving in Japan, the National Personnel Authority ( jinjiin ) was responsible for my continued studies, b

Japanese Dolls - Ichimatsu Doll by Kyugetsu

On the top floor of the Matsuya Department Store in the Ginza shopping district of Tokyo, was a large exhibit space that rotated shows about every two weeks. It was one of my favorite places to visit, as there were fine artists and craftsmen showing their creations with the assistance of the most attentive staff and sales associates. They always exemplified elegance and class. During a drop-by-visit, there was a Ichimatsu doll exhibit. Dolls are dolls, a play thing, until they become an artform. The exhibit was part educational seminar and part wonderment. These Japanese dolls were not produced on a factory floor with production quotas. Each doll was handmade with painstaking details by an artisan that rendered a doll with personality, charm and beauty. The keeper of all knowledge, Wikipedia, describes Ichimatsu dolls this way: the doll represents little girls or boys, correctly proportioned and usually with flesh-colored skin and glass eyes. The original Ichimatsu were named a