Skip to main content

Herb Opitz, 1925 - 2013 London Based Artist


Herb Opitz, 1925-2013     

London Based Artist 

Herb Opitz was a founding member of the Brixton Artists Collective and the Brixton Art Gallery in London. He began painting in 1977 after an architectural career which began in Detroit in 1953.

Opitz grew up in Ludington, MI, joined the Army Air Corps as an aviation cadet, but switched to bombardier and was a week short of graduation when WWII ended.  He returned to Michigan and enrolled in UM studying to be a physicist.  After his freshman year, he moved to St. Louis to care for his grandfather.  In St. Louis, he worked as a window dresser for Stix Baer & Fuller, then 2nd largest department store in St. Louis. While in St. Louis he enrolled in Washington University, where he graduated with a degree in Architecture.

His architecture career was full of exciting commissions around the world.  He accepted his first position in Detroit (1953), went off to Frankfurt in 1957 to further his studies in modern architecture.   Served as an assistant architect in NY, moved on to Monrovia, Liberia where he was the resident architect for the President's Palace, was the on-site architect for the zoo and botanical gardens for Gaddafi in Libya, and also worked in Australia.  His last architectural job was for a school expansion in London.  He settled in London and lived there for over 35 years.

He was an avid photographer, mostly of plants, leaves, flowers - anything. He was frequently inspired from nature, but mostly he said, from recalling the birds in Ludington: They, like he, were free spirits, unencumbered, with color.  He started painting after a visit to the Tate Modern, in London. The painting (above) is done with acrylic and PVA paints on paper.


Opitz's background as an architect and designer influenced his abstract visual language.  It may not appear at first glance, but it is all about shape, form, color and line that creates a balanced composition within the boundaries of the page.  His use of color; the blue and white that complements the yellows, oranges and reds demonstrates a bold colorful composition that speaks to the viewer.  His lines and shapes may seem random, yet it takes the eye of a designer architect to keep the viewer's eyes on the composition.  

Late in life, Opitz was coping with Parkinson's Disease, so he switched to vibrant paper 'cut-out' collages, reminiscent of Matisse and computer art. He exhibited at the Ovalhouse in London.

. Below is a photo and a quote:

Herb Opitz

Herb stated:
"Not many months ago I found myself in front of a computer trying to make it go. During many months before then I made a large collection of collages and paintings. I soon saw it was possible to modify and enhance past work with the aid of the computer. This show is about renewing old experiences and responding to new ones."


Special thanks goes out to Herbert G. Opitz's family for the detailed information provided in this blog.  




Comments

Popular posts from this blog

MARCEL (Marcella Anderson) Torpedo Factory Artist

Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens. In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color." Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had

Japanese Wooden Dolls: Kokeshi-Ningyo "こけし-人形"

This article is dedicated to my Japanese (nihongo) Sensei, Atsuko Kuwana, who helped me learn to speak Japanese. Collectors come in all varieties, some plan their collections, others start by chance.  I saw my first kokeshi(こけし) wooden doll in 2005 while participating in a grassroutes exchange program between the U.S. and Japan.  I was staying with a family near Nagoya and the couple’s young daughter had one.  Years later when I was named a Mike Mansfield Fellow from the U.S. government to the Japanese government, and was living in Japan, I would see them frequently at flea markets and souvenir shops next to the natural hot spring resorts in the area known as Tohoku.  Before leaving for Japan, I studied all things Japanese at the George Shultz Foreign Service Institute (FSI), including a professor that covered domestic and family life and some short statements on kokeshi.  After arriving in Japan, the National Personnel Authority ( jinjiin ) was responsible for my continued studies, b

Japanese Dolls - Ichimatsu Doll by Kyugetsu

On the top floor of the Matsuya Department Store in the Ginza shopping district of Tokyo, was a large exhibit space that rotated shows about every two weeks. It was one of my favorite places to visit, as there were fine artists and craftsmen showing their creations with the assistance of the most attentive staff and sales associates. They always exemplified elegance and class. During a drop-by-visit, there was a Ichimatsu doll exhibit. Dolls are dolls, a play thing, until they become an artform. The exhibit was part educational seminar and part wonderment. These Japanese dolls were not produced on a factory floor with production quotas. Each doll was handmade with painstaking details by an artisan that rendered a doll with personality, charm and beauty. The keeper of all knowledge, Wikipedia, describes Ichimatsu dolls this way: the doll represents little girls or boys, correctly proportioned and usually with flesh-colored skin and glass eyes. The original Ichimatsu were named a