Skip to main content

JEFFREY RUSSELL RYERSON, Contemporary Artist



I saw the painting across the room and was awe struck.  As I ventured closer, I thought perhaps it was by the famed artist Lester Johnson.  Johnson was noted as a figurative expressionist and a second generation of the New York School.  And like Johnson, Jeffrey Russell Ryerson in this painting, lent vigor and force to his human heads.  The painting is so crowded with stylized men in a frieze like arrangement that the figures expand to the edges and make the men appear to be compressed into a small space.  Unlike Johnson, Ryerson uses bright colors in this painting; pinks, reds, and white on a muted mauve blue background.  The painting consists of watercolor and thick gouache on paper.

The painting’s linear silhouettes of men come across in a turbulent fashion appearing in a confused mass.  The brush strokes used by Ryerson become a skein of lines that outline the interwoven faces.  Perhaps they are Jesus’ apostles gathered after the ascension or a crowded subway scene. We are not sure, but we do know that the colors are bright and yet the overall scene still has a brooding somber quality, which provides an interesting contrast.



36 X 24 Inches - Gouache and Watercolor on Paper

Signed:  Lower Right Corner - Ryerson

  
A visit to Ryerson’s website demonstrates that his current work has many of the same elements as when he had his Tampa studio in the 1990s.  He is still working in an expressionist style, and with his acrylic paintings, he’s layering his gestural brushstrokes.

Ryerson was born on May 29, 1953.  After graduating from high school, he went off to get his BFA at University of Tennessee.  There he studied under art professor Walter Stevens who served as coach and mentor.   He went on to get his MFA at the University of South Florida that were complemented with independent studies in Holland, Germany and Austria.  He taught art at the University of South Florida and at Hillsborough Community College.  He did not get tenure, which is not surprising, tenure is a highly political and many art professors get torn between creating/teaching and the wild world of higher education politics.  The lack of tenure sent him off to create galleries, which is what a true artist should do.

In the 90s, Ryerson had a large Tampa gallery and was represented by the Alamo Art Gallery, San Antonio.  He is a lifetime member of the American Watercolor Society and National Watercolor Society and exhibited extensively across the country as well as in Japan and Australia.      

The Tampa Bay Magazine in a 1995 edition stated the following:  "A prolific artist with international acclaim, Ryerson counts 4,000 completed works comprised of paintings, constructions and totems which have been displayed around the globe over the last 35 years. From Boston to Palm Springs' Desert Museum, Chicago to Tokyo by way of Australia, his art is everywhere. This accomplishment is no small feat, by rather a lifetime commitment to his craft. The sheer power of his colors, figures and symbols draw your eyes from one visual feast to the next."

Ryerson frequently now uses his artistic skills to raise money for philanthropic need, which provides him great pride.  His good works might get him into heaven, but it was his art that stopped me in my tracks.  My comparison between Lester Johnson, an artist listed, documented and illustrated in numerous coffee table books and Ryerson, points out the similarities of inventiveness and illustrative power through expressionism.  

I am not saying that all of Ryerson’s work can be compared to Johnson, clearly it is his linear expressionist paintings that match up.  To my art critic readers, I hope you can appreciate the analysis and the comparisons (do your own Google search to look at Lester Johnson’s work).   Finally, it is my wish that like Johnson, Ryerson will get several blockbusting retrospectives in his later years, the chance to be recognized for his broad artistic scope and be fully celebrated by the art museum establishment.     

Details:

Jeffrey Russell Ryerson - Artist

B.  May 29, 1953 - Currently living in Wildwood, FL

SELECT MAJOR EXHIBITIONS:
Cornell Fine Art Center, Winter Park, Florida
Saint Louis Museum of Art, Saint Louis, Missouri
East Carolina University, Fayetteville, North Carolina
Los Angeles Fine Arts Museum, Los Angeles, California
Detroit Museum of Art, Detroit, Michigan
Palm Springs Desert Museum, Palm Springs, California
Mixed Master Traveling Exhibition, Funded by the NEA
Tucson Museum of Art, Tucson, Arizona
National Historical Museum, Frankfort, Kentucky
The Parthenon Museum, Nashville, Tennessee
Cheekwood Fine Arts Gallery, Nashville, Tennessee
Rockford International, Chicago, Illinois
Tampa Museum, Tampa, Florida
Japanese Watercolor Society, Tokyo, Japan
Michigan Watercolor Society, Sydney, Australia
New England Fine Arts Institute, Boston, Massachusetts
Columbus Museum of Art, Columbus, Georgia
Rosenquist Invitational, Hyde Park, Florida
PROFESSIONAL ASSOCIATIONS AND EDUCATION:
AWS - Lifetime Induction
NWS - Lifetime Induction
BFA - University of Tennessee
MFA - University of South Florida

PUBLICATIONS:
Tampa Bay Magazine, Nov-Dec 1995 p. 35






Comments

Popular posts from this blog

MARCEL (Marcella Anderson) Torpedo Factory Artist

Marcella Anderson and/or Marcy Anderson (1946 - 2015) was better known as "MARCEL", a popular serigraph/silkscreen artist, at the Torpedo Factory Art Center in historic Old Town Alexandria, VA. She maintained a gallery and work space at the Torpedo Factory from 1976 to 2015. At the top of the stairs on the 3rd floor was this large light filled studio with a charming blonde woman surrounded by her silkscreens. In the early 80s, her work consisted mostly of water reptiles, fish, birds and environmental scenes. She kept with nature themes during most of her time at the studio. Her obituary stated: "Marcel was known for her bold, yet sensitive, use of color and design. Her images in all media reflected her love of nature. Her glowing color, both intense and delicate, was achieved through the use of transparent layers of color." Marcel was born and raised in Seattle, Washington and studied at the Cornish School of Allied Arts. Before arriving in the DC area, she had

Japanese Wooden Dolls: Kokeshi-Ningyo "こけし-人形"

This article is dedicated to my Japanese (nihongo) Sensei, Atsuko Kuwana, who helped me learn to speak Japanese. Collectors come in all varieties, some plan their collections, others start by chance.  I saw my first kokeshi(こけし) wooden doll in 2005 while participating in a grassroutes exchange program between the U.S. and Japan.  I was staying with a family near Nagoya and the couple’s young daughter had one.  Years later when I was named a Mike Mansfield Fellow from the U.S. government to the Japanese government, and was living in Japan, I would see them frequently at flea markets and souvenir shops next to the natural hot spring resorts in the area known as Tohoku.  Before leaving for Japan, I studied all things Japanese at the George Shultz Foreign Service Institute (FSI), including a professor that covered domestic and family life and some short statements on kokeshi.  After arriving in Japan, the National Personnel Authority ( jinjiin ) was responsible for my continued studies, b

Japanese Dolls - Ichimatsu Doll by Kyugetsu

On the top floor of the Matsuya Department Store in the Ginza shopping district of Tokyo, was a large exhibit space that rotated shows about every two weeks. It was one of my favorite places to visit, as there were fine artists and craftsmen showing their creations with the assistance of the most attentive staff and sales associates. They always exemplified elegance and class. During a drop-by-visit, there was a Ichimatsu doll exhibit. Dolls are dolls, a play thing, until they become an artform. The exhibit was part educational seminar and part wonderment. These Japanese dolls were not produced on a factory floor with production quotas. Each doll was handmade with painstaking details by an artisan that rendered a doll with personality, charm and beauty. The keeper of all knowledge, Wikipedia, describes Ichimatsu dolls this way: the doll represents little girls or boys, correctly proportioned and usually with flesh-colored skin and glass eyes. The original Ichimatsu were named a